He has served as a clinician participant for both the Alabama Music Educators Association In-Service Conference, Midwest International Band and Orchestra Clinic and has served as the rehearsal assistant for the Music for All Honor Band of America since 2016. Bubbett has served as a guest clinician and adjudicator in Alabama, Georgia and Mississippi. Additionally he received the Phi Beta Mu, Rho Chapter (Alabama) “Bandmaster of the Year” Award for 2015. Bubbett is a seven time recipient of the National Band Association “Citation of Excellence,” as well as a recipient of the NBA Programs of Excellence “Blue Ribbon” Award in 2014. Joseph Hermann is Professor of Music and Director of Bands at Tennessee Technological University in Cookeville, Tennessee, where he leads an. The Thompson Wind Ensemble was also selected to perform at the Alabama Music Educators Association In Service Conference (1997, 2009, 2014, 2019), the Alabama Honor Band (2010, 2018), the University of Georgia JanFest (2013), the University of Alabama at Birmingham Honor Band (2016) and the CBDNA / NBA Southern Division Conference (2012). The Thompson High School “Marching Southern Sounds” performed in the Philadelphia Thanksgiving Day Parade in 2017. His bands have performed in a variety of venues across the southeast, most notably the Thompson High School Wind Ensemble performed for the Music for All National Concert Band Festival in 2011 and again in 2015. His previous schools were Washington-Wilkes Comprehensive High School in Washington, GA, Demopolis High School in Demopolis, AL and Erwin High School in Birmingham, AL. His career spanned thirty eight years with the last twenty six at Thompson High School in Alabaster, AL. He received his BMEd from Troy State University in Troy, AL, in 1981 and his MMEd in 1989 from VanderCook College of Music in Chicago, IL. Think it'll be with me for awhile (and I still have my Reissue stuff including a 59 Bassman Ltd).Jon Bubbett, a native of Dothan, AL, graduated from Dothan High School (1977). It's not quite as clean as it looks in this pic, but being 59 years old, it's in a lot better shape than I am at 62. But my first foray back in the vintage Fender amp club (I once had 14 vintage Fender amps ranging from roughly 1949 to 1964), and I'm pretty happy. So, I'm now the proud owner of a 62 Bandmaster! Yes, I'd still like a Bassman. Got talking dollars and eventually got a few more shaved off the price. So I went, looked at it, got it in a room and played some. No vintage Bassman on the site, but the Bandmaster was there, and marked down. Getting off early, I figure a quick drive to Chicago just to check the place out. A couple more days pass and we finish the outage at the plant. as he's panning around, I spot a nice looking Blonde/Oxblood rig and think "wow, that's still there? Wonder what's wrong with it".Īlways thought these were the best looking series of Fender amps. A day or two later, a Facebook Stratocaster page Admin does a Facebook live video in CME. While there, a friend (who doesn't even play) messages me about spending 2 hours at CME, he loved it. I wouldn't buy one just for the sake of going vintage. However, it has been said already - if you don't know what to expect, you may be very disappointed. Then I get a job call to work Byron Nuclear plant about 90 miles away. and they are a very good buy compared to many other vintage BF amps. Prices seemed decent but I wasn't in the market. And as to why I asked, as Paul Harvey used to say "and now here's to the rest of the story".Ī couple months back, I spotted a couple blonde/oxblood vintage amps in an ad for Chicago Music Exchange (think they had a Bassman and a Bandmaster at the time).
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